COZY LAMPSHADE

thaumaturgy:

Harvard Mag and Robert Brustein wonder if “the play’s still the thing” in a digital age.

“THERE’S A SYNDROME in our profession—to blame the audience, especially young people,” says Diane Paulus ’88, artistic director of the American Repertory Theater. “ ‘They don’t want to go to the theater anymore—why? They don’t have attention spans. They’d rather be in control, with their personal handheld devices. There are too many entertainment choices. We’re a depraved culture.’ I’ve always found this deadening, because it doesn’t give you any room to change. We have to flip that analysis and say, ‘Maybe it’s us—maybe it’s the arts producers. Not just the writers and actors but the whole machine—perhaps we have to do a better job of inviting this audience back to the theater. Have they left? Yes. Have they not developed the habit of coming? Yes. Is it their fault? No!”

amaditalks:

People have suggested that this about a lack of female programmers. I don’t think it is. One doesn’t have to be female to know that if you’re going to provide your customers with the benefit of the doubt that they’re adults and will give information on where to buy condoms, beer, the names of local escort companies and “tongue in cheek” locations for hiding a dead body, you should provide information about health clinics, especially when customers know their full names and basic locations. I don’t think you need females on your programming staff to know that a person can go to an ob/gyn for birth control, not just a “birth control clinic.” I don’t think that it’s necessary to be female to know that rape is a violent crime and that a rape victim will need a hospital and/or the police before they need a “treatment center.” This isn’t just about gender. This is about something more esoteric and far far less simple to explain.